Below, you will find a list of applicable minimum formats and rates covered by the STANDARD BCN agreement In this article, in order to keep it simple, I will guide you through some of the most important points that you need to take into account when negotiating an option agreement. I`ve also created a handy checklist, which should include an option agreement that you can use side by side with this article to make sure you`ve covered your basics. Distributors of feature films and CD/DVD with NCB agreement The agreement does not contain the graphic rights - texts that are shown while the music is played. You must obtain this license from rights holders (usually music publishers). Covermounts, bonuses and kiosk offers are not covered by the BCN`s standard agreements. Therefore, you must apply for a license and pay the copyright on a case-by-case basis. You also need to remember the secondary rights that we talked about earlier. If you create a spin-off of your project, the author also wants a share of these gains. The net participation of these ancillary projects is generally less than the net share of the original`s profits. It is essential to agree on this point at the beginning.

The same applies to all other secondary rights that you acquire, as most authors will insist that they participate in all related projects. You also need to think about secondary rights. What do you plan to do with this project once you`ve finished your film or series? Perhaps you would like to develop a piece or create amazing goods. They will at least want the freedom to develop swarms, including sequels and prequels. It is worth knowing before contacting the rights holder so that you can justify what you are asking for. As a producer, you spend a lot of time negotiating options for a book or script. The option agreement is often one of the first agreements signed when you start developing a movie or series. So it`s really important to do it right. Then you can find out the rights you need from the author for your project.

Do you plan a single program, TV series or streaming service or cinema launch followed by a LICENSE for TV or SVOD? If you`re not sure, the option agreement may offer some flexibility - most authors and agents will understand that you may not know it yet. However, a detailed plan shows you that you have properly evaluated their content and that you are serious about creating a film or series based on it. Research the book or scenario you`re trying to choose. If you are trying to use a book, you should receive a "quitclaim" from the publishing house that confirms that it is not against your project. Get a lawyer to verify your resignation. If you try to use a script, the author may want to publish it later as a book.

Below, you will find a list of applicable minimum formats and rates covered by the STANDARD BCN agreement In this article, in order to keep it simple, I will guide you through some of the most important points that you need to take into account when negotiating an option agreement. I`ve also created a handy checklist, which should include an option agreement that you can use side by side with this article to make sure you`ve covered your basics. Distributors of feature films and CD/DVD with NCB agreement The agreement does not contain the graphic rights - texts that are shown while the music is played. You must obtain this license from rights holders (usually music publishers). Covermounts, bonuses and kiosk offers are not covered by the BCN`s standard agreements. Therefore, you must apply for a license and pay the copyright on a case-by-case basis. You also need to remember the secondary rights that we talked about earlier. If you create a spin-off of your project, the author also wants a share of these gains. The net participation of these ancillary projects is generally less than the net share of the original`s profits. It is essential to agree on this point at the beginning.

The same applies to all other secondary rights that you acquire, as most authors will insist that they participate in all related projects. You also need to think about secondary rights. What do you plan to do with this project once you`ve finished your film or series? Perhaps you would like to develop a piece or create amazing goods. They will at least want the freedom to develop swarms, including sequels and prequels. It is worth knowing before contacting the rights holder so that you can justify what you are asking for. As a producer, you spend a lot of time negotiating options for a book or script. The option agreement is often one of the first agreements signed when you start developing a movie or series. So it`s really important to do it right. Then you can find out the rights you need from the author for your project.

Do you plan a single program, TV series or streaming service or cinema launch followed by a LICENSE for TV or SVOD? If you`re not sure, the option agreement may offer some flexibility - most authors and agents will understand that you may not know it yet. However, a detailed plan shows you that you have properly evaluated their content and that you are serious about creating a film or series based on it. Research the book or scenario you`re trying to choose. If you are trying to use a book, you should receive a "quitclaim" from the publishing house that confirms that it is not against your project. Get a lawyer to verify your resignation. If you try to use a script, the author may want to publish it later as a book.

Below, you will find a list of applicable minimum formats and rates covered by the STANDARD BCN agreement In this article, in order to keep it simple, I will guide you through some of the most important points that you need to take into account when negotiating an option agreement. I`ve also created a handy checklist, which should include an option agreement that you can use side by side with this article to make sure you`ve covered your basics. Distributors of feature films and CD/DVD with NCB agreement The agreement does not contain the graphic rights - texts that are shown while the music is played. You must obtain this license from rights holders (usually music publishers). Covermounts, bonuses and kiosk offers are not covered by the BCN`s standard agreements. Therefore, you must apply for a license and pay the copyright on a case-by-case basis. You also need to remember the secondary rights that we talked about earlier. If you create a spin-off of your project, the author also wants a share of these gains. The net participation of these ancillary projects is generally less than the net share of the original`s profits. It is essential to agree on this point at the beginning.

The same applies to all other secondary rights that you acquire, as most authors will insist that they participate in all related projects. You also need to think about secondary rights. What do you plan to do with this project once you`ve finished your film or series? Perhaps you would like to develop a piece or create amazing goods. They will at least want the freedom to develop swarms, including sequels and prequels. It is worth knowing before contacting the rights holder so that you can justify what you are asking for. As a producer, you spend a lot of time negotiating options for a book or script. The option agreement is often one of the first agreements signed when you start developing a movie or series. So it`s really important to do it right. Then you can find out the rights you need from the author for your project.

Do you plan a single program, TV series or streaming service or cinema launch followed by a LICENSE for TV or SVOD? If you`re not sure, the option agreement may offer some flexibility - most authors and agents will understand that you may not know it yet. However, a detailed plan shows you that you have properly evaluated their content and that you are serious about creating a film or series based on it. Research the book or scenario you`re trying to choose. If you are trying to use a book, you should receive a "quitclaim" from the publishing house that confirms that it is not against your project. Get a lawyer to verify your resignation. If you try to use a script, the author may want to publish it later as a book.

Below, you will find a list of applicable minimum formats and rates covered by the STANDARD BCN agreement In this article, in order to keep it simple, I will guide you through some of the most important points that you need to take into account when negotiating an option agreement. I`ve also created a handy checklist, which should include an option agreement that you can use side by side with this article to make sure you`ve covered your basics. Distributors of feature films and CD/DVD with NCB agreement The agreement does not contain the graphic rights - texts that are shown while the music is played. You must obtain this license from rights holders (usually music publishers). Covermounts, bonuses and kiosk offers are not covered by the BCN`s standard agreements. Therefore, you must apply for a license and pay the copyright on a case-by-case basis. You also need to remember the secondary rights that we talked about earlier. If you create a spin-off of your project, the author also wants a share of these gains. The net participation of these ancillary projects is generally less than the net share of the original`s profits. It is essential to agree on this point at the beginning.

The same applies to all other secondary rights that you acquire, as most authors will insist that they participate in all related projects. You also need to think about secondary rights. What do you plan to do with this project once you`ve finished your film or series? Perhaps you would like to develop a piece or create amazing goods. They will at least want the freedom to develop swarms, including sequels and prequels. It is worth knowing before contacting the rights holder so that you can justify what you are asking for. As a producer, you spend a lot of time negotiating options for a book or script. The option agreement is often one of the first agreements signed when you start developing a movie or series. So it`s really important to do it right. Then you can find out the rights you need from the author for your project.

Do you plan a single program, TV series or streaming service or cinema launch followed by a LICENSE for TV or SVOD? If you`re not sure, the option agreement may offer some flexibility - most authors and agents will understand that you may not know it yet. However, a detailed plan shows you that you have properly evaluated their content and that you are serious about creating a film or series based on it. Research the book or scenario you`re trying to choose. If you are trying to use a book, you should receive a "quitclaim" from the publishing house that confirms that it is not against your project. Get a lawyer to verify your resignation. If you try to use a script, the author may want to publish it later as a book.